Chattanooga Aerial Videography
Drone footage that cuts into a story instead of sitting on top of it — cinematic aerial work for the Tennessee Valley.
Most aerial videography is just a drone going up. The good stuff moves with intent — an orbit that reveals a subject, a rise that sells a location, a track that turns a bridge into a character. That's the difference, and it's what I care about.
From Lookout Mountain to the river gorge to the rooftops downtown, I shoot Chattanooga aerial videography that belongs in the cut — graded to match your footage, paced to your edit, and built to do a job, not pad a reel.
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The moves
The shot decides the move, not the other way around. Here's the toolkit, and what each one is good for.
A slow circle that reveals your subject inside its setting.
Lift to show scale — where it is and what surrounds it.
Follow the motion and keep the energy in the frame.
Start tight, pull back to expose the whole scene.
Through the space, not over it — immersive, first-person.
Straight down, graphic, map-like compositions.
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